The Island at the Top of the World

“The Entrance to Hell! The Island at the Top of the World is directed by Robert Stevenson and adapted to screenplay by John Whedon from the novel The Lost Ones written by Ian Cameron. It stars Donald Sinden, David Hartman, Jacques Marin, Mako and Agneta Eckemyr. Music is by Maurice Jarre and cinematography by Frank Phillips. Out of Walt Disney productions, this is a pic that finds the house of the mouse desperately trying to keep their live action fantasy flame ablaze. Unfortunately, in spite of some appealing production shunts, it's really rather dull and performed in the same manner. Plot has Sinden as an aristo type who has arranged an expedition to search the Arctic wastes for his lost son, Donald, who disappeared two years previously. Gathering up archaeologist Hartman and a dirigible piloted by Marin, they set off to the fabled place at the top of the world, a place where whales are said to go and die in peace. Will they make it? If so what will they find there? There's an old fashioned feel to proceedings, of adventure movies from decades before, but with that also comes the familiarity of knowing what will happen in the story. The characters are one dimensional stereotypes, completed by a comedy canine. The effects veer from poor to even poorer, though not lacking in imagination and always colourful via Phillips' lens filters. Ultimately it's one for kiddies and nostalgists, a noticed served of a mighty studio cutting corners and running out of ideas for the format to hand, thus the film suffers greatly for it. 5/10”

“A very good film! I felt thoroughly entertained for the entirety of the 93 minute run time of 'The Island at the Top of the World'. The special effects may have aged in quite funky and mildly chucklesome fashion, but the great adventure elements, pinpoint pacing and terrific cast help the film keep a high footing. Donald Sinden (Ross), David Hartman (Ivarsson) and Jacques Marin (Brieux) are all fantastic in their respective roles, none of them necessarily stand out by themselves but they really do bounce off each other impressively - kudos to the casting. I would've liked a tad more development into Sinden's character and his concurrent decisions, especially with what occurs with Mako (Oomiak). The music is done ably by Maurice Jarre, it adds a strong amount to the onscreen affairs. The premise is enjoyable, thanks to the fact that it keeps moving forward to avoid each location or event becoming repetitive. The final act isn't as great as what proceeds it, though it's still a positive climax. A sequel would've been cool to see, shame it was canned due to a poor box office. In similar terms, I think a current day remake would be excellent - better effects would do this story wonders. A top adventure, give it a watch!”