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How to Murder Your Wife
(1965)“Bring The Little Woman...Maybe She'll Die Laughing!”
Synopsis
Stanley Ford is a successful cartoonist and happily single. That is, until he gets drunk at a friend's bachelor party and impulsively proposes to the beautiful woman who pops out of the cake. Once sober, he regrets the decision, but she won't agree to a divorce. Stanley jokingly vents his frustrations in his comic strip by having the main character kill his wife. But when his actual wife goes missing and Stanley is arrested for her murder, he has a change of heart.
Top Billed Cast
Jack Lemmon
Stanley Ford
Virna Lisi
Mrs. Ford
Terry-Thomas
Charles
Eddie Mayehoff
Harold Lampson
Community Reviews
“Lemmon unable to save this from averageville. Cartoonist Stanley Ford loves bachelorhood, he enjoys his life, he has a butler to serve him, he can get girls, and he likes a drink or two. Then one night he's at a bachelor party and the beautiful Virna Lisi pops up out of the cake, his life is about to change. For when he wakes up in the morning, he finds he has married her, and to compound his problems, she doesn't speak any English. As a big Jack Lemmon fan I have to say I'm very disappointed in this picture, it's essentially a two joke movie that wastes Lemmon and Terry-Thomas' talent. The first half of the picture plays heavy on the fact that the new Mrs Ford only speaks Italian, this sets us up for a number of funny sequences, particularly when Claire Trevor enters the fray as Edna, but on it goes, and on it goes... We then get to watch as Stanley gains weight due to Mrs Ford's willingness to cook for her new husband, with Lemmon reduced to playing Stanley as an exasperated buffoon, henpecked within an inch of his manhood. The second half of the picture, as the title suggests, sees Stanley grow a spine and decide to deal with his problem by killing the wife. You would think that this sets the picture up for a number of riotous sequences as Stanley tries to do away with her, but sadly no, it's just the one joke that fails to light up the picture in any shape or form. The run in to the finale is marginally saved by the always reliable Eddie Mayehoff, but come the credits you wonder if the film ever meant to be a full blown comedy in the first place? 4/10 for Mayehoff and Terry-Thomas' opening scenes.”
